By David Charbonneau, Director, Writing Center, Mt. San Antonio College.
When I first came to my current position at Mt. San Antonio College, the largest single-campus community college in California, my experience in Writing Centers had been entirely in the four-year context, both at UW-Madison as a graduate assistant and then at a four year liberal arts school as a faculty director. My ideas about Writing Centers had been shaped by these experiences. Similarly, my pedagogy was largely shaped by my own personal trinity of scholars: Stephen North, Peter Elbow, and David Bartholomae. I felt that Elbow freed up the creative impulse in each writer and Bartholomae helped us learn where and how to direct it in the academic context, while North gave us a blueprint for how the Writing Center could contribute to each student’s experience of “inventing [or, hopefully, reinventing] the university.” While the truths of these seminal thinkers in our field still held in the community college context, I found that there were many issues that I had not anticipated. (more…)
I’ve long argued that writing centers at research universities should prepare interested doctoral students to lead strong, innovative writing centers and WAC programs when they move into their faculty careers. And that we should do this in systematic and sustained ways. Being a dedicated, successful, experienced writing tutor is of course a necessary part of that preparation, but that alone is not sufficient. Professional development for future writing center directors is something our Writing Center at the University of Wisconsin-Madison takes seriously—my colleagues and I are proud that this past year, in 2011 alone, seven more of our PhD alums, at various stages of their careers, were offered positions as writing center directors or assistant directors around the country, joining many other distinguished UW-Madison alums who direct writing centers.
This question—of how research universities can prepare graduate students to become writing center directors as part of their faculty careers—has been an important topic of discussion when the writing center directors from the universities in the Big 10 conference meet once a year (I’m always hoping that some athletic competition will break out during meetings of Big 10 writing center directors, but, alas, none yet). We’ve talked several times about what we can do—intentionally and systematically–to prepare our grad students to lead strong writing center and WAC programs. As an outgrowth of these discussions, at the 2010 IWCA conference in Baltimore, several members of the Big 10 group spoke about the opportunities we have and the challenges we face as we prepare graduate students to be future writing center directors.
By Emily B. Hall, Director, UW-Madison Writing Fellows Program.
Alexis Brown, 2012 Rhodes Scholar from UW-Madison
Those of us who know her and work with her in the Writing Fellows program are simply thrilled that Alexis Brown has been selected as a Rhodes Scholar for 2012. A deeply motivated student, Alexis has an outstanding academic record and a rich and varied set of intellectual and leadership experiences. In addition to founding and editing the Madison Journal of Literary Criticism, keeping up with her coursework in two demanding majors, and working for Americorps, Alexis has left an indelible mark on our program as a Writing Fellow. She has provided thoughtful, critically astute feedback to students in courses in English, psychology, and legal studies. In her Writing Fellows seminar, Alexis wrote an outstanding paper that explored how phatic speech (or small talk) can create a sense of community between Writing Fellows and students and can facilitate meaningful conversations about writing and academic discourse.
Sarah Groeneveld is an instructor at the UW-Madison Writing Center
By Sarah Groeneveld. The day I met Laura (a pseudonym) was a memorable one. It was a slow day at the Writing Center last January, and I had a free hour in the middle of my shift. Laura was scheduled to meet with me later, but had mistaken the time of our appointment and had shown up early. Therefore, we were able to spend a wonderful two hours talking about three things that we both share a passion for: teaching, animals and questions about difference. But what is memorable to me about meeting Laura is that about five seconds after sitting down next to her, I suddenly noticed a gigantic head and deep brown eyes staring at me from underneath the desk. Laura introduced me to Monty (another pseudonym), a German Shepard who helps Laura navigate the world – not only physically, but in ways that Laura explained to me in the following weeks and months.
Danielle Warthen, TA Coordinator of Writing Center Multicultural Initiatives
By Danielle Warthen. As a writing instructor who’s also been a writing tutor in the UW-Madison Writing Center for the past five years, I’d say that, hands down, the most common comment I hear from students new to the Writing Center when we begin our sessions is: “I’m a bad writer.” It’s often said in an apologetic tone, as if the student has already decided that this session will be yet another disappointing illustration of being “bad at writing,” and I should prepare myself for some sort of intellectual letdown. These words are often meant as a benevolent warning to me, I suppose as a way to help me manage my expectations. The student is telling me not to expect a “good writer” who’s going to be a breeze to collaborate with–this is going to be hard work for both of us, with questionable returns, because . . . well, they’re bad at it.
By Rebecca Lorimer and Elisabeth Miller.
Memorial Union Terrace on Lake Mendota, UW-Madison
The 2011 Midwest Writing Centers Association Biennial Conference will take place here at the University of Wisconsin-Madison October 20th-22nd. This year’s theme, “On the Isthmus,” gestures quite literally to the conference’s location, but also to the quality that makes this conference unique: just as writing centers bridge disciplines, locations, and widely diverse writers, so does this conference connect writing studies professionals across institutions, interests, and multiple points of view.
By Rachel Carrales.
Writing Center TA Rachel Carrales
The summer before last, I spent a month traveling through France, Italy, and Spain. It was a whirlwind trip, and I was only able to spend a day or two in each city I visited. It was so fast, in fact, that I find myself remembering only snippets of things: the fat, cuddly pigeons in Florence, the combination of 14th century architecture and graffiti in Toledo, and the palm trees in Rome. One of the things that stands out in particular, though, is my trip to the Louvre. I was finally able to see all of those paintings that I’d studied on slides in dark, crowded lecture halls as an undergrad, and while there was something thrilling about that, seeing brush strokes and colors up close, feeling intimately connected to a painting, my favorite moment was seeing a statue of the Goddess of writing.
By Paula Gillespie.
Paula and Buster. Paula Gillespie got her start in writing centers at UW Madison, under the directorship of Joyce Steward, 1977-1980.
South Florida is full of surprises. A troop of macaws, probably freed from a zoo or pet store during a hurricane, descends into the trees down the street and spends the morning there, squabbling about which one gets to sit where. Burmese pythons, once pets that are now too large to keep around, roam Miami’s streets and thrive in the Everglades, just west of our school. And orchids grow on trees.
Wriiting Center TA David Aitchison
By David Aitchison. Hear David read this blog post with his wonderful accent. A few weeks ago, I had an appointment in our Main Writing Center with a sophomore, Amanda, who was working on her application essays for the Business School. With just a thirty-minute slot to look at three 250-word essays we had little time to waste. I remember three things in particular. First, it was fun – one of those sessions that gallop by because it’s late in the day and the two of you have the sillies, though that doesn’t stop you from thinking sensibly and strategically. Second, it was easy – Amanda was the kind of student who, even if she didn’t know it herself at first, was bursting with all the right ideas that, as I saw it, were exactly what her essays needed. Third, as we were wrapping up, she confessed that, much to her relief, coming to the Writing Center was nothing like she’d expected. “You know,” she said, with a bit of a blush, “how everyone’s ALWAYS nervous about coming to the Writing Center for the first time. It’s daunting.”
Writing Center TA John Anderson
By John Stafford Anderson. Saturday, at a party we had celebrating her upcoming dissertation defense, a friend of mine tearfully took me aside. She wanted to know if I would be available next week to help her with some writing points on her dissertation. Of course, I agreed to help, but I wanted to know why she was so tearful at this amazing South African-themed braai being held in her honor. My friend is not prone to drama or gossip; she is quite practical. Since she arrived in Madison, she has maintained course in some particularly ugly storms without needing tissues. The tears were definitely out of place. She pulled me aside, away from the music, out of earshot from others, and dropped the bomb: “my advisor,” she said, “said my writing is awful: he said I write like a foreigner.” Well, my friend is a foreigner who is fluent in three languages besides English. How else should she write, I wondered? “He said I should write like an American,” she explained.