By Rebecca Lorimer and Elisabeth Miller.
Memorial Union Terrace on Lake Mendota, UW-Madison
The 2011 Midwest Writing Centers Association Biennial Conference will take place here at the University of Wisconsin-Madison October 20th-22nd. This year’s theme, “On the Isthmus,” gestures quite literally to the conference’s location, but also to the quality that makes this conference unique: just as writing centers bridge disciplines, locations, and widely diverse writers, so does this conference connect writing studies professionals across institutions, interests, and multiple points of view.
By Rachel Carrales.
Writing Center TA Rachel Carrales
The summer before last, I spent a month traveling through France, Italy, and Spain. It was a whirlwind trip, and I was only able to spend a day or two in each city I visited. It was so fast, in fact, that I find myself remembering only snippets of things: the fat, cuddly pigeons in Florence, the combination of 14th century architecture and graffiti in Toledo, and the palm trees in Rome. One of the things that stands out in particular, though, is my trip to the Louvre. I was finally able to see all of those paintings that I’d studied on slides in dark, crowded lecture halls as an undergrad, and while there was something thrilling about that, seeing brush strokes and colors up close, feeling intimately connected to a painting, my favorite moment was seeing a statue of the Goddess of writing.
By Paula Gillespie.
Paula and Buster. Paula Gillespie got her start in writing centers at UW Madison, under the directorship of Joyce Steward, 1977-1980.
South Florida is full of surprises. A troop of macaws, probably freed from a zoo or pet store during a hurricane, descends into the trees down the street and spends the morning there, squabbling about which one gets to sit where. Burmese pythons, once pets that are now too large to keep around, roam Miami’s streets and thrive in the Everglades, just west of our school. And orchids grow on trees.
Wriiting Center TA David Aitchison
By David Aitchison. Hear David read this blog post with his wonderful accent. A few weeks ago, I had an appointment in our Main Writing Center with a sophomore, Amanda, who was working on her application essays for the Business School. With just a thirty-minute slot to look at three 250-word essays we had little time to waste. I remember three things in particular. First, it was fun – one of those sessions that gallop by because it’s late in the day and the two of you have the sillies, though that doesn’t stop you from thinking sensibly and strategically. Second, it was easy – Amanda was the kind of student who, even if she didn’t know it herself at first, was bursting with all the right ideas that, as I saw it, were exactly what her essays needed. Third, as we were wrapping up, she confessed that, much to her relief, coming to the Writing Center was nothing like she’d expected. “You know,” she said, with a bit of a blush, “how everyone’s ALWAYS nervous about coming to the Writing Center for the first time. It’s daunting.”
Writing Center TA John Anderson
By John Stafford Anderson. Saturday, at a party we had celebrating her upcoming dissertation defense, a friend of mine tearfully took me aside. She wanted to know if I would be available next week to help her with some writing points on her dissertation. Of course, I agreed to help, but I wanted to know why she was so tearful at this amazing South African-themed braai being held in her honor. My friend is not prone to drama or gossip; she is quite practical. Since she arrived in Madison, she has maintained course in some particularly ugly storms without needing tissues. The tears were definitely out of place. She pulled me aside, away from the music, out of earshot from others, and dropped the bomb: “my advisor,” she said, “said my writing is awful: he said I write like a foreigner.” Well, my friend is a foreigner who is fluent in three languages besides English. How else should she write, I wondered? “He said I should write like an American,” she explained.
By Rebecca Lorimer.
Are college students today academically adrift?
Perhaps this question might make more sense if I had typed the last word in all caps or added a prolonged shriek sound effect after the question mark. You are correct if you feel an implied “yes” in the question and a not-so-implied eye-roll in my own reaction.
As we launched a new semester in our writing center at the University of Wisconsin-Madison this past week, I loved listening to the lively buzz in our center emanating from conversations about writing projects. And as I eavesdropped, I was reminded of how much I value slow, detailed, substantial conversations about writing in progress.
Our writing center burst back into conversation last week, despite the arctic conditions of January in Wisconsin—through the first four days of the semester, 170 students already came in for consultations or scheduled ones. These student-writers were, as writing center students always are, wonderfully varied: sophomores writing personal statements to meet a February 1st deadline for applying to our school of nursing, seniors sprinting to finish applications to some graduate schools that have later deadlines, grad students and senior-thesis students resuming regular weekly sessions as they work through long writing projects, students with incompletes from last semester anxiously trying to finish a project they wish they had finished already.
By Debjit Roy. What does the UW-Madison Writing Center have to offer a doctoral student in engineering? Actually, quite a bit!
By Rebecca Lorimer. A course coordinator in Biology was explaining to me that her students were having trouble in their discussion sections. I nodded as I mentally sifted through my grab bag of discussion-leading strategies. When she asked, “do you have any ideas for our TAs?” I was ready.
By Molly Rentscher. As my first semester in the Writing Fellows program reaches a half-way point, I find myself reflecting on the rewards and challenges of being a Writing Fellow. I am thrilled by the overwhelmingly positive experiences the program has provided me and quite frankly, how much fun I am having. The course for which I fellow is a First-Year Interest group (FIG): a “learning community” of about 20 students who are enrolled in a cluster of three classes that are linked by a common theme. As a new Writing Fellow in a Literature in Translation FIG course, I feel as though I have not only been initiated into a peer mentoring program, but a unique writing community of first-year students.