Rachel Herzl-Betz. Photo taken by Jennifer Brindley.
By Rachel Herzl-Betz
Rachel Herzl-Betz is the T.A. Coordinator of Outreach for the Writing Center at UW-Madison, where she has been a tutor since 2012. She is also a PhD candidate in Literary Studies, with a focus on Victorian Literature, Disability Studies, and Rhetoric.
The perfect teaching collaboration is an elusive ideal, more like a dream than a lesson plan. Of course, as we all know, teaching in a Writing Center or a classroom doesn’t usually look like the ideal. It can be messy, unpredictable, and strange, particularly when we throw new variables (and new people) into the mix.
Professor Brittany Travers
As the coordinator for the Outreach Program at the UW-Madison Writing Center, I have more opportunities than most to build collaborative relationships. Every year, tutors from our Outreach program give presentations and create writing lessons for more than 150 classes, student groups, workshops, and events across campus. My work as coordinator involves training a team of tutors and providing presentations myself, when time and schedules allow. I have had the pleasure of working with instructors from a wide range of disciplines and contexts. However, a recent collaboration with Professor Brittany Travers illustrates the value that enthusiastic collaboration can bring to the classroom, even when conditions conspire against us.
By Emily Hall
At a large university we are regularly exposed to the original and sometimes groundbreaking research that takes place across campus. Mostly, this research comes from the work of professors and graduate students, many of whom have grants, research funds, and laboratories to support their endeavors. Less frequently do we have the opportunity to learn about the innovative research produced by our talented undergraduates.
By Samantha Timm and Chelsea Fesik
Have you ever wondered what it might be like to teach a class as an undergraduate? In this post, Samantha Timm and Chelsea Fesik will explore what it has been like to fall down the writerly rabbit hole and into the strange and wonderful world of peer mentoring and peer teaching. With one foot in the realm of the student, and the other in the realm of the teacher, we have had to think deeply about our positionality as peer writers, tutors, and instructors. How do these different identities shape the ways that we connect with our students? How have our academic backgrounds shaped our styles of teaching? This post will explore a myriad of questions, partially for your entertainment, dear reader, but also in order to make sense of what these experiences mean in our own lives. Buckle up, and enjoy the ride!
What we do:
By Katrin Girgensohn, European University Viadrina, Frankfurt, Oder, Germany
Two weeks ago, a newspaper notice has caught my interest: The National Library in Berlin has received the original logbooks of Alexander von Humboldt’s expedition to South America. All his notes, drawings, thoughts – every word he had scribbled down every evening during his journeys, are now in Berlin. I was thrilled. I often seek a quiet place in this library to write. And now I will share the roof with the original papers of Alexander from Humboldt!
Thinking further, I have wondered why this notice has made me feel so excited. Why do notes about a research journey to America that happened more than 100 years ago please me so much? Probably because this notice made me think about my own research journey to (North) America that happened two years ago. My research journey has been an expedition I started as a writing center director from Germany, where writing centers are currently starting at many universities, but still are a new phenomenon. My goal was to find out more about the successful leadership of writing centers, so that the implementation of writing centers in Europe might be promoted better. (more…)
By Leah Misemer @lsmisemer
Leah Misemer is a graduate student in English Literature at the University of Wisconsin-Madison and the TA Coordinator of the Online Writing Center there. While her dissertation is on serial commercial comics, she is also interested in media specificity and technology in writing centers. This is her sixth semester working as an instructor at the UW-Madison Writing Center.
Photo of the author taken by Nicole Relyea
When I first trained as a peer tutor at Washington University in St. Louis, I was trained to look at paper drafts. During my first shift as a Writing Center instructor at University of Wisconsin-Madison, a student brought in a draft on a laptop. I was a bit flummoxed about what to do. While it was great for the writer to be able to make changes to the draft during the session, it felt less collaborative than sessions with paper drafts. I had to ask the student to scroll down and up because I didn’t want to touch her expensive electronic equipment, and this felt awkward, like I was shut out of the draft in some way.
This is my sixth semester on staff at UW-Madison and I continue to have a moment of irrational anxiety every time I see a student pull out a laptop during an appointment. This is not to say I don’t have productive appointments with students toting laptops; when I can get students to cut and paste large sections of a draft, the computer facilitates actual draft work the student can take home. But appointments with laptops aren’t all like that. (more…)
By Michelle Niemann
Michelle Niemann is the assistant director of the writing center at the University of Wisconsin-Madison for 2013-2014. Her first tutoring experience was in the writing center at Indiana University-Purdue University, Fort Wayne, in 2003 and 2004. She recently defended her dissertation and will receive her PhD in English literature from UW-Madison in May.
Michelle bird-watching at Horicon Marsh in Wisconsin. Photo by Liz Vine.
Tutoring in the writing center at University of Wisconsin-Madison since 2009 has given me a great gift: it has shown me the power of being interested. In anything, or anyone. In the next student signed up to meet with me and whatever project they’re working on. At the same time, as a graduate student in English literature at UW-Madison, I’ve also learned a lot about the corresponding power of being interesting.
Being interesting is, quite rightly, the coin of the realm in advanced scholarship. And I’ve absolutely, nerdily loved the opportunity to pursue my interests in poetic form and sustainable farming by writing a dissertation about organic metaphors in both fields. But I’m also grateful that I’ve been working in the Writing Center, because tutoring constantly reminds me, and indeed requires me, to look up and notice at least some of the other interesting things going on around me. (more…)
By Anna T. Floch
Anna Floch is a third year PhD student in Composition & Rhetoric and an instructor of intermediate composition here at UW- Madison. Her research interests include the intersection of identity and literacy, collaboration, and examining affect and emotion in the writing process. She started as a writing center instructor at UW in the Fall of 2012.
I recently overheard a friend and colleague as he began his first shift as a writing center tutor. Before the shift began I had spoken with him about his first appointment and he mentioned he was expectant, nervous, and excited – all very valid emotions to feel when one is stepping into a new role as a consultant in the writing center. Overhearing this moment and talking with him about it beforehand offered me a chance to reflect on my own journey as a writing center instructor (note: I will use the terms “writing center instructor” and “writing center tutor” interchangeably in this post). Up until the point when I began my role as an instructor in our writing center I had tutored in community writing programs, taught my own introduction and intermediate composition classes, and worked in a number of non-traditional educational settings, but I had never stepped foot in a writing center. I came to UW-Madison from a large private university and I (sheepishly) admit that I never utilized the writing center during my undergraduate or masters experience. Though writing centers’ core tenets of talk, collaboration, and relationship building fit deeply into my own personal pedagogy and identity as a classroom teacher, I was concerned with my own ability to navigate the challenges and demands of writing center instruction.
Needless to say, when I started in the writing center last fall, I felt as though I was peering into a big deep canyon (see above): it loomed large, felt thrilling, and was a little bit terrifying. The last year has been a lesson for me in what happens when we close the gap between instructor and student, when we discuss disciplines we do not immediately understand, when we interface with new students from around the campus on a daily basis, and when we take time to really listen to the needs of the writers we work with. In short, my experience in the writing center has made me a better writer, student, and teacher. In that spirit, and as many students and tutors across the country are returning to their work in the writing center, I want to take time to reflect on the key lessons that I have learned over the last year which I hope are useful to both new and returning writing center tutors. (more…)
by Stephanie White
Stephanie White just completed her two-year term as Assistant Director of the program in Writing Across the Curriculum at the University of Wisconsin–Madison.
Stephanie White, former Assistant Director of Writing Across the Curriculum
Last semester, the Writing Across the Curriculum (WAC) program here at UW–Madison was thrilled to continue building our partnership with the university’s Delta program. Delta’s mission is to encourage and support graduate students’ and faculty’s development as teachers in STEM and Social and Behavioral Science fields, and so, this past spring, the WAC program offered a new semester-long class on teaching with writing in a range of disciplines. As the Assistant Director of our WAC program at the time, I had the privilege of designing and teaching this non-credit course. And as I got to know the smart, critical, thoughtful graduate students who enrolled, I was thrilled to watch these future faculty members make deep connections between teaching and writing.
By Taryn Okuma, The Catholic University of America.
Taryn Okuma is Director of the Writing Center and Clinical Assistant Professor of English at The Catholic University of America (CUA) in Washington, D.C. She received her Ph.D. in Literary Studies from UW-Madison in 2008. While at Madison, she served as the Co-Director of the English 100 Tutorial Program for two years and worked at the Writing Center for four years.
I feel fortunate to be posting after Kristiane, whose thoughtful discussion of transfer with Caroline Levine provides valuable insights to the connections between the work that we do in writing centers, writing across the curriculum, and literature classrooms. I, too, have been thinking a great deal about the intersection of instruction in writing centers and in classrooms. Although we have a moderate amount of traffic at our center, I’m also very aware that we are only seeing a small percentage of the students who could benefit from visiting us. One of the questions that I come back to again and again as a WC director is, “Why aren’t more students visiting the Writing Center at CUA?” And as an English professor, I ask, “Why aren’t more of my students visiting the WC?”
Writing center at the European University Viadrina during a peer tutor education session
By Katrin Girgensohn. This is kind of a birthday post. Six years ago, we opened the doors to our nice spacious room after I, as a PhD student, brought the idea of a writing center to my university and convinced the president that we really should have one. At this point we only had a handful of writing centers all over Germany, so it was not at all normal for a university to open a writing center. Although I had very good arguments, what might have been most convincing was that I was able to get a starting grant from the Hans Böckler Foundation.
In Germany we say that after six years life gets serious, because this is the age when children start school. However, our writing center’s life got quite serious after only three and a half years, when a huge part of our funding was suddenly not available any more. Until then, our writing center had been more or less dependent on funding that came from outside the university. The cancellation of our funding was nothing personal and had nothing to do with the writing center itself – it was a complete governmental program that was canceled. The notification was a shock for me and seemed to be quite unfair because the writing center was very successful and had grown incredibly in only three years of existence. We not only offered writing consulting and writing groups, but also worked with high schools, had already earned a national and international reputation and were even quite famous due to our first “long night against procrastination”.