All of us at the Writing Center at the University of Wisconsin-Madison are delighted to share two new podcasts from our theory and research series, featuring Katrin Girgensohn, a faculty member and Director of the Writing Center at European University Viadrina in Germany and one of the leading writing center scholars in Europe. During 2011-12, Dr. Girgensohn is a visiting scholar at the Writing Center at the University of Wisconsin-Madison. This presentation was taped during a meeting of the Madison Area Writing Center Colloquium on November 16, 2011.
A revision addict, I mean—addicted to sharing my work with others and responding to theirs, addicted to creating a community of writing collaborators.(more…)
Unfortunately, the photograph with which I would have preferred to begin this post doesn’t exist. Instead I’ll have to help you reach the right place to recreate the picture for yourself mentally. I’m John Bradley, interim associate director of the Writing Center; thanks for following my lead. I’ll get to the point along the way, I promise. (more…)
By Amanda Detry and Molly Rentscher.
Each new semester in the Writing Fellows Program presents a range of exciting opportunities and challenges. Having served as Writing Fellows for the past few semesters, we have collaborated with many faculty members and worked with students of all writing levels and abilities. Amid such diversity, however, every writing appointment is shaped by two core values. First, Writing Fellows help students see revision as an essential part of the writing process. Second, Writing Fellows believe in producing good writers—not necessarily good writing—by offering students tools and examples for improving their work. (more…)
Here at the UW-Madison Writing Center, we have been thrilled to have Katrin Girgensohn spend the year with us as our visiting scholar from the Writing Center at European University Viadrina in Frankfurt (Oder), Germany. And here on this blog you’ve gotten to see a little of her, too. I’m privileged to get to share an office with Katrin, and we’ve spent a lot of time talking about writing centers and about her work. We wanted you to have a chance to sit in on a conversation with us about what it means to be a visiting scholar at a writing center, what Katrin has learned this year, and what she plans to do with the research she’s completed. Katrin’s kindness, enthusiasm, and straightforwardness shine through when you talk with her, and her intelligence about the work she does make her a pleasure to talk to about writing center work. Thanks for joining our conversation!
By Dennis Paoli, Coordinator of the Reading/Writing Center and Co-coordinator of the Writing Across the Curriculum Program at Hunter College, City University of New York. He also writes plays and films and is Donor/Adviser of The Heidi Paoli Fund for cancer patients. He met Heidi in Madison.
Hi. Dennis Paoli, University of Wisconsin Class of ’69. You know, the golden age. “Bliss it was in that dawn to be alive/But to be young was very heaven!” Wordsworth was writing about the French Revolution, but he must have gone to Madison in the 60’s. In my four years, the football team won one game (that was a party). The band could barely make a W (we didn’t jump around so much as hop from foot to foot to keep warm). And the defining moment of my college experience was walking out of class into a cloud of tear gas. Good times. (more…)
By Matthew Capdevielle, Director of the Writing Center, University of Notre Dame
“So, what are you working on today?”
“When is your paper due?”
“Are you concerned about anything in particular in this draft?”
In the writing center that I direct at the University of Notre Dame, we spend a good deal of time asking questions. We pose questions about practical parameters of assignments—length, due date, assignment requirements, etc. We pose questions about writers’ goals, their concerns, and their hopes for their work. Most importantly, we pose questions with writers to help them discover and articulate their own ideas. (more…)
It was in 2010 when a student in our writing center complained about her procrastination habits: “For me, you should open at night, because this is when I eventually get started and would need a writing center”. This student’s comment came up at our next team meeting, and suddenly an idea took shape: “A Long Night against Procrastination”. “Long Nights” are very popular in Germany. We have “Long Nights of Museums”, “Long Nights of Science” or “Long Nights of Sports”, all designed to attract attention through offering events at unusual times.
Obviously this idea works, because shortly after we announced our Long Night, the writing center’s phone began to ring and wouldn’t stop until our event started. All of the important German newspapers suddenly wanted to report about our writing center and its Long Night. A TV team occupied our rooms, and radio reporters were everywhere, so that we had to hold a press conference. The press conference provided us the unique opportunity to talk about writing center work in detail, and several reporters stayed all night long to experience what we had claimed: that we would provide a serious work atmosphere, profound writing consulting and, nevertheless, a fun event. The newspaper “Der Spiegel” later wrote that the night was reminiscent of a pajama party but was a serious event at the same time.
By David Charbonneau, Director, Writing Center, Mt. San Antonio College.
When I first came to my current position at Mt. San Antonio College, the largest single-campus community college in California, my experience in Writing Centers had been entirely in the four-year context, both at UW-Madison as a graduate assistant and then at a four year liberal arts school as a faculty director. My ideas about Writing Centers had been shaped by these experiences. Similarly, my pedagogy was largely shaped by my own personal trinity of scholars: Stephen North, Peter Elbow, and David Bartholomae. I felt that Elbow freed up the creative impulse in each writer and Bartholomae helped us learn where and how to direct it in the academic context, while North gave us a blueprint for how the Writing Center could contribute to each student’s experience of “inventing [or, hopefully, reinventing] the university.” While the truths of these seminal thinkers in our field still held in the community college context, I found that there were many issues that I had not anticipated. (more…)
During the snow storms last week, I trekked through the layers of fresh Wisconsin slush to the Social Sciences building. I made my journey upon an invitation to meet with a Sociology faculty member, prepared to discuss co-teaching a session on poster presentations. While watching flaky descents of snow through his window, we chatted for almost an hour about how we might help his students emulate the department’s prize winning posters. Of course, we didn’t actually need nearly that much time to discuss the session. We were both so eager to explore the challenge and craft of visual design and to understand one another’s approaches to teaching this genre that our conversation stretched beyond our original plan. By the end of our meeting, we both left with an enhanced understanding of how our respective fields (Sociology and Composition and Rhetoric) approach visual design in posters, and we had collaboratively developed a strong lesson plan for teaching research posters for his department’s graduate student professional development group.