Writing with Evidence in the Age of Alternative Facts

By Leah Pope Parker

Leah Pope Parker

Leah Pope Parker has been a tutor in the UW-Madison Writing Center since 2014, where she also served as the Coordinator of Writing Center Outreach during the 2016–17 school year. Leah is also PhD candidate in English Literary Studies.

Conversations about evidence in writing center pedagogy traditionally focus on the genre of the research paper, where evidence includes the ideas, data, and quotations located through research that must be incorporated effectively into the prose of the paper. However, if we think about evidence more broadly within writing center teaching, as any aspect of writing that claims the authority of truth or expertise in order to achieve the objectives of the written document, then nearly every conference presents an opportunity to talk about evidence. Traditional forms of evidence (such as facts, figures, and the citation of authoritative perspectives) turn up not only in thesis-driven research papers, but also in literature reviews, scientific reports, and resumes. Forms of anecdotal or narrative evidence are also deployed in application essays, cover letters, and personal reflections. Even choices made around primary sources in class assignments that specifically do not call for secondary research can be considered a practice of writing with evidence. Thinking about evidence in all of these modes means that nearly every writing center conference presents us with the opportunity to encourage our students to think critically about their sources and the assumptions that writers and readers make around evidence and truth. Continue reading

Collaboration in Action

Author photo. Taken by Jennifer Brindley.

Rachel Herzl-Betz. Photo taken by Jennifer Brindley.

By Rachel Herzl-Betz

Rachel Herzl-Betz is the T.A. Coordinator of Outreach for the Writing Center at UW-Madison, where she has been a tutor since 2012. She is also a PhD candidate in Literary Studies, with a focus on Victorian Literature, Disability Studies, and Rhetoric.

The perfect teaching collaboration is an elusive ideal, more like a dream than a lesson plan. Of course, as we all know, teaching in a Writing Center or a classroom doesn’t usually look like the ideal. It can be messy, unpredictable, and strange, particularly when we throw new variables (and new people) into the mix.

Professor Brittany Travers

Professor Brittany Travers

As the coordinator for the Outreach Program at the UW-Madison Writing Center, I have more opportunities than most to build collaborative relationships.  Every year, tutors from our Outreach program give presentations and create writing lessons for more than 150 classes, student groups, workshops, and events across campus. My work as coordinator involves training a team of tutors and providing presentations myself, when time and schedules allow. I have had the pleasure of working with instructors from a wide range of disciplines and contexts. However, a recent collaboration with Professor Brittany Travers illustrates the value that enthusiastic collaboration can bring to the classroom, even when conditions conspire against us.

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International Writing Centers and Environmental Humanities

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Rob Emmett at the Kohler Dunes, Wisconsin with Elisabeth, 2010.

By Rob Emmett

Writing centers can launch lives in new directions, across continents and oceans. The years I spent working at the Writing Center while in graduate school in Madison certainly set me on a path to my current work at the Rachel Carson Center for Environment and Society (RCC) in Munich, Germany. The RCC is an interdisciplinary, international center for research in environmental history and allied fields that aims to raise the profile of this work in public discussions of environmental issues, in the spirit of our namesake, the influential author of Silent Spring. The project is exceptional in many ways–one being that its directors, Christof Mauch and Helmuth Trischler, represent Munich’s oldest public university (LMU Munich) and the research division of the Deutsches Museum, respectively. For the last year I have served as Director of Academic Programs; I support the center’s research fellows, develop collaborations in environmental humanities with other centers, and teach in our international environmental studies program, among other things. Continue reading

Undergraduate Research in Writing: Keeping It Real

By Kim Moreland

Kim Moreland is currently the Assistant Director of the Writing Fellows Program.  She is a Ph.D candidate in Composition and Rhetoric, writing her dissertation on authorship and networks.

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Kim Moreland

Undergraduate research is on my mind.  Undergraduate writing center tutor research was the focus of Lauren Fitzgerald’s keynote address at the International Writing Centers Association conference in San Diego in October.  And undergraduate writing center tutor research has long been the focus of English 316, the honors course in writing across the curriculum that all Writing Fellows here at UW-Madison are required to take.  But what drives this research?  What do these projects look like?  How do they help us rethink these issues central to our field?

This semester, I’ve been thinking about these questions often.  I’ve been teaching a section of English 316, and I attended the National Conference on Peer Tutoring in Writing in Chicago with five undergraduate Fellows who presented their research.  Before this semester, I was familiar with the research conducted by Fellows – I’d seen several Fellows present at our annual joint staff meeting in the Writing Center.  But it wasn’t until I starting mentoring Fellows in 316 that I gave much thought to where the questions that sparked these projects came from: the particular interests of Fellows who are immersed in WAC as both tutors and students. Continue reading